Maybe it's because I'm sitting on the cusp of spring, umbrella in hand. But I'm having a hard time feeling the posting vibe — rain, clouds, vitamin D deficiency. I have many excuses and lots of internal guilt lapping the cusp like a declawed kitten. I promised myself I would post at least once a week, and I've failed miserably in keeping this promise over the past few rainy weeks of spring.
So I've decided to repurpose some of the dreams I have been sending the work husband to temporarily shim this lack.
Why have I been sending my work husband dreams? Well, the work environment has narrowed my imagination. It requires me to keep my thoughts simple and literal, which is an interesting challenge indeed, but I'm finding it hard to do this while keeping my ideas at fresh and fantastic. So I decided to flex my imagination with some rogue dreaming —stream of consciousness-style.
My early mornings are filled with fractured dream sequences, moving snapshots of information. The only thread linking these sequences is accumulation — like a piece of discarded sticky tape with the detritus of witnessed events and images, real and contrive, affixed to it in a haphazard way.
A dream fragment remembered:Angelica Huston proudly sitting on the prow of the boat like she was in
Life Aquatic. Close up of her hair. It’s tangled and mossy, filled with objects from my youth (barrettes I used to wear, paperclips, thistles). The view pans down her hair, which extends beyond the surface of the water. And as it pans, the lens (my dream lens) tumbles and falls becoming enmeshed in this fettered web of objects and hair. Now underwater, tangled in seaweed instead of hair. Floor bottom is sandy, and feet scramble to find footing on this soft floor. It turns into grains of wood floorboards. The lens is sleeping on them. In a red sleeping bag. A shiny one with images of moose on its fleecy interior. The lens is sideways, as if it’s sleeping on its side. Two boys dressed as Halloween space men wake the lens up by putting their faces, almost conjoined, close to the lens. Their faces looks sideways.
And that’s all I can remember.